Showing posts with label convergence. Show all posts
Showing posts with label convergence. Show all posts

Wednesday, August 7, 2013

FCC Releases 15th Video Competition Report

Some highlights from the Executive Summary (I'll try to get back with fuller analysis later).


With this report, the FCC has distinguished three types of video channels
  1. MVPDs -Multichannel Video Programming Distributors (Cable, DBS, and Telco cable), 
  2. Broadcast Television Stations (over-the-air free broadcasting), and
  3. OVDs - Online Video Distributors (any service delivering video over the Internet)
Between the last report's data collection (Dec, 2010) and this (June, 2012), there has been a slight growth in MVPD subscribers.  However, cable has continued to lose market share to DBS and Telco cable.

The push for 'TV Everywhere" has grown in the last two years, with an estimated 5.1% of the MVPD audience using it as of Sept 2012.

MVPD systems continue to shift from analog services to digital. Among the top 8 cable MSOs, more than half of their customers receive all-digital service.  DBS and Telco cable are already all-digital.  Larger cable MSOs are also experimenting with switched digital video, where only the channels being watched are transmitted to the home.

Roughly three quarters of US homes can receive and display digital signals; 43.8% have DVR capability; and there is increasing availability of video-on-demand access of recent content.

Less than 10% of US homes rely on over-the-air broadcasting for video access.  In contrast, viewing of video content from online sources (OVDs) is growing, with estimates that more than a fifth of US homes are "Internet-connected" - that is, capable of watching online video on a TV set.  The continued growth of OVD viewing is increasing Internet traffic in peak hours, to the point where ISPs are increasingly considering imposing bandwidth caps.

Monday, April 22, 2013

Announcing the iBeetle

I'm not sure how to think about this - whether its a neat device (cool toy), and example of extreme convergence, or just great branding.

Apple and Volkswagen are collaborating on the creation of the iBeetle, a new model line that will debut at the Shanghai Auto Show this week.  Offered in both classic coupe and convertible models, the car will use a iOS-based interface and incorporate an iPhone docking station on the dashboard.

Once the iPhone is attached, drivers can access a special iBeetle application that bundles a number of specialized apps.  Among those announced are Spotify, Reader (text-to-voice for social media), Expert (taps into the car's diagnostics), Trainer (tracks driving times, distances, and gas mileage) and Postcard (sends location to selected contacts).
  The iBeetle will also use iPhone color schemes.  It's scheduled to go on sale in 2014.

This isn't Apple's first foray into auto operating systems.  Last year GM licensed Apple's Siri voice assistant system for the Chevrolet MyLink in-car information system.

Source - Apple, Volkswagen team on iOS-integrated iBeetle,  FierceMobileContent

Friday, November 2, 2012

Sandy's Media Impact

The reports/projections are coming in -
  • Pivotal Research Group's Brian Wieser suggests Sandy's disruption of electronic media will cost the industry around $500 million in ad make-goods. His revised forecast for 2012's growth in ad revenues - 0%.  That's despite a revised forecast of $3 billion in political advertising.
  • General Sentiment argues that added social media use linked to Sandy will generate an additional $80 million in ad revenues ($60 million for Twitter, $12 million for news media sites, and the rest generated by other social media platforms.  For comparison, last year's Hurricane Irene generated about $18 million in added revenues.
  • The FCC indicated that Sandy toppled or otherwise disabled a quarter of cell phone towers in the Northeast U.S.  Given the infrastructure disruption, the FCC noted that more towers will drop out of the grid as backup generators run out of fuel or damaged electronics fail.
  • Sandy interrupted newspaper printing in New Jersey and hampered distribution of what newspapers could get printed, flooded online media group Gawker's web servers, the Huffington Post to go dark for a morning before it moved to Tumblr (joining myriad other Gawker and local media websites), forced the AP to move its offices and operations, and knocked a number of AM radio stations off the air, according to a NY Times story.  Many newsrooms went virtual, asking their reporters and editors to work from home. In anticipation of delivery problems, both the NY Times and the Wall Street Journal temporarily suspended the paywalls for their online editions.
 Meanwhile, there's an interesting post at Forbes.com on the changes in news and reporting displayed in covering Hurricane Sandy.  Steven Rosenbaum argues that while he watched media coverage of the storm, he was struck by the speed, volume, and value of news coverage.  And the contributions by "citizen journalists" -
local news anchors scrolling through tweets to pull out and ad lib real-time neighborhood reports, the sheer numbers of photos and videos dumped unfiltered onto the Web (from both the public and news organizations), local officials webcasting updates on the storm and their responses - as well as the rapid collection, curation, and archiving of Sandy-related content.
  The ‘HurricaneSandy.magnify.net‘ effort, for example, already has more than seven thousand videos - organized, categorized, and searchable.  Rosenbaum ended the post with his thoughts:
So, the question is – does this replace professional journalism? Far from it. UGC Newsgathering adds sources, POV, and reach.  But it also adds noise, and inaccuracy, and fakes. Tons of fake photoshop images. Tons of false reports about water on the floor of the stock exchange, or other rumors amplified by the speed of the social web.
  So, going forward, we need the power and voice of UGC news, as well as the curatorial tools and fact checking chops of working Journalists to help us filter signal from noise.
  Welcome to the new world of media.  Where the volume is massive,  and the filters are human. It’s a new way to think of news,  but it’s the way we’re going to in the future.

Sources -   Superstorm Throws Sand In Face Of Ad Economy, Reduces '12 Ad Growth to Zero, MediaDailyNews
Lost Media Revenue For Sandy: $500 Million, MediaDailyNews
Sandy Took Out 25% Of Cell Towers, MediaDailyNews
Storm Sends News Media Scrambling, NY Times
Media. The Storm. And How Sandy Changes Reporting ForeverForbes.com

Thursday, September 27, 2012

Streamworks aims to help TV capture breaking news

One of the major problems in capturing and rapidly disseminating breaking news is the wide array of video standards used in cameras, network signals, and display devices.  Another is getting access to channels for disseminating video on the fly.  Streamworks is a UK start-up that's working to address those issues and provide a mechanism for TV news organizations to capture video from a variety of sources, convert it into appropriate standard configurations, and stream it to users through multiple channels and devices, all in real-time.
  Ray Mia, Streamworks' founder and CEO, says the aim is to provide a "(s)ingle live solution, publish once deliver any and everywhere... fully integrate(d) with social tools... allowing the audience to choose that manner in which to select, see & share video content."  Their service combines structural and technological elements to minimize bandwidth needs - video goes from source to an authorized transmission partner, where the video is processed before being fed to fiber optic Internet infrastructure.  
  They're already  working with AP Television News, and have been designated the streaming partner for United Nations Web TV.

  Anything that fosters faster distribution of multiple news video sources to the full panoply of screens and devices - particularly with breaking news - is likely to help news organizations and the interested public.  Streamworks looks like its taking a good step in the right direction, although there's still a bottleneck/ gatekeeper in the form of the "authorized transmission partner."  So there's still a ways to go to  achieve the goal of real-time total coverage and access.

Source -  How Streamworks is helping TV capture breaking newsLost Remote

update - corrected typo in header.

Monday, March 26, 2012

Sony adds flexibility to PS3 platform

Basic post contributed by Rachel Cade: -


Photo Editing on PlayStation 3?

You read that right. Sony announced today that it will launch photo editing software for the PlayStation 3 this week.  The software, called “PlayMemories Studio,” is launched in anticipation of the cloud component called “PlayMemories Online” which will be launched in the upcoming months.  The software allows users to manipulate photo stills directly on their gaming console.
   The software will be launched Tuesday in the US at the PlayStation Store and will retail for $18. There is a 30-day free trial available.


----------------------

With internet connectivity, significant processing power and storage capacity, top gaming platforms have the power to engage in a lot of computer activities.  Traditionally, two limitations have limited development in this regard: first, the lack of a recording output option (not included in most platforms to discourage piracy of gaming software; and second, the limitations of game controllers as an interface (instead of mouse and keyboard).  The combination of the photo suite with coming Cloud external storage for the manipulated images addresses the first issue.  Hopefully, some creative options for interface will help with the second.
  Still, this announcement reflects the continued convergence of digital media across platforms and uses.
--Ben Bates

Friday, October 28, 2011

Getting It Right –The Las Vegas Sun

Yesterday at the USC Convergent Media Conference, we heard from Rob Curley, CEO and Executive Editor of the group behind the Las Vegas Sun online edition.
   The Sun is an online newspaper that seems to be making a success of online journalism. They’ve won all the big journalism awards, grown their audience 8-fold, and driven pageviews of big stories from around 2500 to over 250,000. They’re attracting advertising buys from major national advertisers, and expect to cover all operating costs and generate a profit next year. (The online Sun actually supports the print edition more than the other way around – and Curley noted that the only reason they’re still doing the print edition is that it’s a requirement of an old Joint Operating Agreement.)
   So what’s the secret of their success? Actually, it’s not much of a secret – it’s paying attention to what their readers want and use, and exploiting the potential of digital media to do things to add value to the content they produce, and to add value of news for their readers. To paraphrase a couple of Curley’s comments; they challenged and moved away from traditional attitudes still permeating the industry – that they knew what readers needed more than readers did, and the corollary belief that readers were basically stupid. For traditional news organizations to move online successfully, he added, they needed to be willing to do new things in new ways, and they had to treat online editions as if it was their sole livelihood, rather than something to play around with.
  So how did Curley and the Las Vegas Sun do those things? There were a number of basic strategies they followed:
  • Identify niches and focus reporting and resources there. For them, they noted that other local news media weren’t doing much sports coverage of local high school sports or UNLV – and that there was a lot of local interest in UFC/MMA. So that became the focus of their sports coverage. There was also a lot of interest in local politics and crime, and their competition took a regional approach to their reporting. So the LVS went hyperlocal with their coverage. 
  • Take advantage of digital technology. One thing you can do online is to add intelligence, integrate information, and personalize presentation. So on politics and crime reporting, stories are reported via zip codes. In fact, every item of content is tagged with a location, and the LVS gives readers the option of using their main site, or a entry page that is customized for their neighborhood. In covering high school sports, all of the info and stats don’t appear just in stories, but are added to a ongoing database. That database is used to automatically create separate web pages for each high school, each high school sports team, and each player. They also link to public databases with geographic information systems, so the local pages automatically create real-time maps of stories, crime reports, housing prices & sales, etc. 
  • The two items above are part of the strategy of understanding the ecosystems – what competitors are doing and what they aren’t, what the technology is capable of and how it allows you to experiment with doing new things in new ways; and probably most critically – understanding what your audiences want, and how they actually use media. 
  • The LV Sun does the last by using media analytics – a lot. There is continuous real-time tracking of story use, they monitor local social media and Twitter feeds to see what people are talking about, and track search engine use to see what information people want. For example, they found that most of the interest in their high school sports coverage centered on 8 (of about 30) high schools – so that’s where they focused their in-depth coverage. They also experiment a lot – for example, trying different formatting strategies (things like selecting photos or editing video in conjunction with stories, or giving access to a larger range of photos through slideshow features, and posting raw video footage). 
  • Curley’s final recommendation for digital journalists – don’t be afraid to go against your gut. And don’t treat your audience as passive – what drives a lot of the success of online ventures is based on incorporating ways to engage your audience and build communities.
A lot of the audience of journalists and journalism professors here at the conference thought that these ideas were revolutionary and innovative. They are, in the specific ways Curley has applied the concepts, and in the sense that they go against some of the old dictates of journalism.  However, the basic concepts are well-known basic economic, business, and marketing strategy principles – find something that people want that you can provide better or cheaper than your competition, and provide it in ways that they find useful and that adds experience. But it’s nice to see that at least some in the industry are learning, and that their success may encourage others to rethink what they’re doing, and how they’re doing it.

at the Convergence & Society: Journalism, Sustainability & Media Generation conference.


I’m attending this conference at the U of South Carolina, and hearing some interesting ideas from scholars, professionals and non-profits about how they’re using the net and the idea of “convergent journalism” to reach audiences.
  I’m also here to present a paper that I haven’t quite finished writing yet, on “Content through clouds and streams: Implications for media sustainability and regeneration.”  The thrust is that several trends in the last year or so have contributed to the rise of a new way for people to access, consume, and share media content.  In short, I’ll be talking about how the rise of connected media devices, mobile and personal media devices have combined with development and use of cloud and streaming technologies to support and encourage a shift in audience media consumption habits and attitudes.  To be specific, a shift from passive habitual use, to early efforts to assert some control over use (that were based on owning copies of content), to an emerging model that is emphasizing active choice and control over media consumption, only through an emphasis on access across devices and conditions rather than owning copies.
  I’ll be talking about some of the implications of the shift, in terms of sustainability (not having to make all those physical copies), the opportunities such a system offers for innovation – in adding value to particular aspects and exploiting added market potential, which might regenerate traditional media.  There’s some other related implications for reforming intellectual property approaches, enhancing access for content of more limited interests, etc. 
   I hope it’ll turn out to be as interesting as I think.

Follow the conference at #sjconf on Twitter